Last week I had lunch with a friend who has a new book coming out. She’s at the stage where her publisher is copy editing her final manuscript, and she told me about a problem she’s been having that I think holds some valuable lessons. We’ll call my friend Helen.

Helen disagrees with her publisher about how some of the numbers should be handled in the manuscript. It’s actually more complicated than that because when she raised the issue with her editor, he actually agreed with her, but then stuck to the style that neither of them liked!

Here’s the story.

Helen has some dialogue in her novel where the characters talk about calling 9-1-1. For my foreign listeners, that is the emergency number in the United States. Her publisher uses The Chicago Manual of Style, as many book publishers do—that’s totally normal—and the general rule in Chicago is that you usually write out numbers in dialogue even when you might use the numerals in narrative text. 

You Often Write Out Numbers in Dialogue

For example, in the Chicago Manual of Style, you write out the words for the numbers one through 100, but use the numeral format for most bigger numbers. (I used the numeral “100” here because our website follows AP style for numbers, which is different.) So you’d use the numerals if you wrote something like “Aardvark only needs 2,400 more miles for a free plane ticket.” But you’d write out the words for 2,400 in dialogue if you wrote something like this:

Squiggly said, “Aardvark can be kind of obsessive. He once counted all his change by laying out two thousand four hundred pennies in rows on the table.”

Following this style, Helen’s copy editor changed her manuscript so the phone number 9-1-1 was spelled out. “He should call nine one one,” with the words “nine one one.” Helen thought this looked ridiculous, and her editor agreed, but then said there was nothing he could do about it because the publisher follows Chicago style.

When Helen and I talked about it at lunch, I thought the whole situation was ridiculous! 

You Can Make Exceptions

The first lesson I want you to learn is that you never have to slavishly follow a style guide when your common sense tells you what you’re writing should be different. Often there are situations that aren’t specifically covered by a style guide, and you should make your own judgement about what is best, maybe guided by similar rules that are covered by the style guide, but you should never feel like you have to force your work into something awkward just so it “fits the rules.” Trust me, the editors at the style guides would want you to use…

Keep reading on Quick and Dirty Tips

Last week I had lunch with a friend who has a new book coming out. She’s at the stage where her publisher is copy editing her final manuscript, and she told me about a problem she’s been having that I think holds some valuable lessons. We’ll call my friend Helen.

Helen disagrees with her publisher about how some of the numbers should be handled in the manuscript. It’s actually more complicated than that because when she raised the issue with her editor, he actually agreed with her, but then stuck to the style that neither of them liked!

Here’s the story.

Helen has some dialogue in her novel where the characters talk about calling 9-1-1. For my foreign listeners, that is the emergency number in the United States. Her publisher uses The Chicago Manual of Style, as many book publishers do—that’s totally normal—and the general rule in Chicago is that you usually write out numbers in dialogue even when you might use the numerals in narrative text. 

You Often Write Out Numbers in Dialogue

For example, in the Chicago Manual of Style, you write out the words for the numbers one through 100, but use the numeral format for most bigger numbers. (I used the numeral “100” here because our website follows AP style for numbers, which is different.) So you’d use the numerals if you wrote something like “Aardvark only needs 2,400 more miles for a free plane ticket.” But you’d write out the words for 2,400 in dialogue if you wrote something like this:

Squiggly said, “Aardvark can be kind of obsessive. He once counted all his change by laying out two thousand four hundred pennies in rows on the table.”

Following this style, Helen’s copy editor changed her manuscript so the phone number 9-1-1 was spelled out. “He should call nine one one,” with the words “nine one one.” Helen thought this looked ridiculous, and her editor agreed, but then said there was nothing he could do about it because the publisher follows Chicago style.

When Helen and I talked about it at lunch, I thought the whole situation was ridiculous! 

You Can Make Exceptions

The first lesson I want you to learn is that you never have to slavishly follow a style guide when your common sense tells you what you’re writing should be different. Often there are situations that aren’t specifically covered by a style guide, and you should make your own judgement about what is best, maybe guided by similar rules that are covered by the style guide, but you should never feel like you have to force your work into something awkward just so it “fits the rules.” Trust me, the editors at the style guides would want you to use…

Keep reading on Quick and Dirty Tips

Last week I had lunch with a friend who has a new book coming out. She’s at the stage where her publisher is copy editing her final manuscript, and she told me about a problem she’s been having that I think holds some valuable lessons. We’ll call my friend Helen.

Helen disagrees with her publisher about how some of the numbers should be handled in the manuscript. It’s actually more complicated than that because when she raised the issue with her editor, he actually agreed with her, but then stuck to the style that neither of them liked!

Here’s the story.

Helen has some dialogue in her novel where the characters talk about calling 9-1-1. For my foreign listeners, that is the emergency number in the United States. Her publisher uses The Chicago Manual of Style, as many book publishers do—that’s totally normal—and the general rule in Chicago is that you usually write out numbers in dialogue even when you might use the numerals in narrative text. 

You Often Write Out Numbers in Dialogue

For example, in the Chicago Manual of Style, you write out the words for the numbers one through 100, but use the numeral format for most bigger numbers. (I used the numeral “100” here because our website follows AP style for numbers, which is different.) So you’d use the numerals if you wrote something like “Aardvark only needs 2,400 more miles for a free plane ticket.” But you’d write out the words for 2,400 in dialogue if you wrote something like this:

Squiggly said, “Aardvark can be kind of obsessive. He once counted all his change by laying out two thousand four hundred pennies in rows on the table.”

Following this style, Helen’s copy editor changed her manuscript so the phone number 9-1-1 was spelled out. “He should call nine one one,” with the words “nine one one.” Helen thought this looked ridiculous, and her editor agreed, but then said there was nothing he could do about it because the publisher follows Chicago style.

When Helen and I talked about it at lunch, I thought the whole situation was ridiculous! 

You Can Make Exceptions

The first lesson I want you to learn is that you never have to slavishly follow a style guide when your common sense tells you what you’re writing should be different. Often there are situations that aren’t specifically covered by a style guide, and you should make your own judgement about what is best, maybe guided by similar rules that are covered by the style guide, but you should never feel like you have to force your work into something awkward just so it “fits the rules.” Trust me, the editors at the style guides would want you to use…

Keep reading on Quick and Dirty Tips

Last week I had lunch with a friend who has a new book coming out. She’s at the stage where her publisher is copy editing her final manuscript, and she told me about a problem she’s been having that I think holds some valuable lessons. We’ll call my friend Helen.

Helen disagrees with her publisher about how some of the numbers should be handled in the manuscript. It’s actually more complicated than that because when she raised the issue with her editor, he actually agreed with her, but then stuck to the style that neither of them liked!

Here’s the story.

Helen has some dialogue in her novel where the characters talk about calling 9-1-1. For my foreign listeners, that is the emergency number in the United States. Her publisher uses The Chicago Manual of Style, as many book publishers do—that’s totally normal—and the general rule in Chicago is that you usually write out numbers in dialogue even when you might use the numerals in narrative text. 

You Often Write Out Numbers in Dialogue

For example, in the Chicago Manual of Style, you write out the words for the numbers one through 100, but use the numeral format for most bigger numbers. (I used the numeral “100” here because our website follows AP style for numbers, which is different.) So you’d use the numerals if you wrote something like “Aardvark only needs 2,400 more miles for a free plane ticket.” But you’d write out the words for 2,400 in dialogue if you wrote something like this:

Squiggly said, “Aardvark can be kind of obsessive. He once counted all his change by laying out two thousand four hundred pennies in rows on the table.”

Following this style, Helen’s copy editor changed her manuscript so the phone number 9-1-1 was spelled out. “He should call nine one one,” with the words “nine one one.” Helen thought this looked ridiculous, and her editor agreed, but then said there was nothing he could do about it because the publisher follows Chicago style.

When Helen and I talked about it at lunch, I thought the whole situation was ridiculous! 

You Can Make Exceptions

The first lesson I want you to learn is that you never have to slavishly follow a style guide when your common sense tells you what you’re writing should be different. Often there are situations that aren’t specifically covered by a style guide, and you should make your own judgement about what is best, maybe guided by similar rules that are covered by the style guide, but you should never feel like you have to force your work into something awkward just so it “fits the rules.” Trust me, the editors at the style guides would want you to use…

Keep reading on Quick and Dirty Tips

Last week I had lunch with a friend who has a new book coming out. She’s at the stage where her publisher is copy editing her final manuscript, and she told me about a problem she’s been having that I think holds some valuable lessons. We’ll call my friend Helen.

Helen disagrees with her publisher about how some of the numbers should be handled in the manuscript. It’s actually more complicated than that because when she raised the issue with her editor, he actually agreed with her, but then stuck to the style that neither of them liked!

Here’s the story.

Helen has some dialogue in her novel where the characters talk about calling 9-1-1. For my foreign listeners, that is the emergency number in the United States. Her publisher uses The Chicago Manual of Style, as many book publishers do—that’s totally normal—and the general rule in Chicago is that you usually write out numbers in dialogue even when you might use the numerals in narrative text. 

You Often Write Out Numbers in Dialogue

For example, in the Chicago Manual of Style, you write out the words for the numbers one through 100, but use the numeral format for most bigger numbers. (I used the numeral “100” here because our website follows AP style for numbers, which is different.) So you’d use the numerals if you wrote something like “Aardvark only needs 2,400 more miles for a free plane ticket.” But you’d write out the words for 2,400 in dialogue if you wrote something like this:

Squiggly said, “Aardvark can be kind of obsessive. He once counted all his change by laying out two thousand four hundred pennies in rows on the table.”

Following this style, Helen’s copy editor changed her manuscript so the phone number 9-1-1 was spelled out. “He should call nine one one,” with the words “nine one one.” Helen thought this looked ridiculous, and her editor agreed, but then said there was nothing he could do about it because the publisher follows Chicago style.

When Helen and I talked about it at lunch, I thought the whole situation was ridiculous! 

You Can Make Exceptions

The first lesson I want you to learn is that you never have to slavishly follow a style guide when your common sense tells you what you’re writing should be different. Often there are situations that aren’t specifically covered by a style guide, and you should make your own judgement about what is best, maybe guided by similar rules that are covered by the style guide, but you should never feel like you have to force your work into something awkward just so it “fits the rules.” Trust me, the editors at the style guides would want you to use…

Keep reading on Quick and Dirty Tips

Last week I had lunch with a friend who has a new book coming out. She’s at the stage where her publisher is copy editing her final manuscript, and she told me about a problem she’s been having that I think holds some valuable lessons. We’ll call my friend Helen.

Helen disagrees with her publisher about how some of the numbers should be handled in the manuscript. It’s actually more complicated than that because when she raised the issue with her editor, he actually agreed with her, but then stuck to the style that neither of them liked!

Here’s the story.

Helen has some dialogue in her novel where the characters talk about calling 9-1-1. For my foreign listeners, that is the emergency number in the United States. Her publisher uses The Chicago Manual of Style, as many book publishers do—that’s totally normal—and the general rule in Chicago is that you usually write out numbers in dialogue even when you might use the numerals in narrative text. 

You Often Write Out Numbers in Dialogue

For example, in the Chicago Manual of Style, you write out the words for the numbers one through 100, but use the numeral format for most bigger numbers. (I used the numeral “100” here because our website follows AP style for numbers, which is different.) So you’d use the numerals if you wrote something like “Aardvark only needs 2,400 more miles for a free plane ticket.” But you’d write out the words for 2,400 in dialogue if you wrote something like this:

Squiggly said, “Aardvark can be kind of obsessive. He once counted all his change by laying out two thousand four hundred pennies in rows on the table.”

Following this style, Helen’s copy editor changed her manuscript so the phone number 9-1-1 was spelled out. “He should call nine one one,” with the words “nine one one.” Helen thought this looked ridiculous, and her editor agreed, but then said there was nothing he could do about it because the publisher follows Chicago style.

When Helen and I talked about it at lunch, I thought the whole situation was ridiculous! 

You Can Make Exceptions

The first lesson I want you to learn is that you never have to slavishly follow a style guide when your common sense tells you what you’re writing should be different. Often there are situations that aren’t specifically covered by a style guide, and you should make your own judgement about what is best, maybe guided by similar rules that are covered by the style guide, but you should never feel like you have to force your work into something awkward just so it “fits the rules.” Trust me, the editors at the style guides would want you to use…

Keep reading on Quick and Dirty Tips

Last week I had lunch with a friend who has a new book coming out. She’s at the stage where her publisher is copy editing her final manuscript, and she told me about a problem she’s been having that I think holds some valuable lessons. We’ll call my friend Helen.

Helen disagrees with her publisher about how some of the numbers should be handled in the manuscript. It’s actually more complicated than that because when she raised the issue with her editor, he actually agreed with her, but then stuck to the style that neither of them liked!

Here’s the story.

Helen has some dialogue in her novel where the characters talk about calling 9-1-1. For my foreign listeners, that is the emergency number in the United States. Her publisher uses The Chicago Manual of Style, as many book publishers do—that’s totally normal—and the general rule in Chicago is that you usually write out numbers in dialogue even when you might use the numerals in narrative text. 

You Often Write Out Numbers in Dialogue

For example, in the Chicago Manual of Style, you write out the words for the numbers one through 100, but use the numeral format for most bigger numbers. (I used the numeral “100” here because our website follows AP style for numbers, which is different.) So you’d use the numerals if you wrote something like “Aardvark only needs 2,400 more miles for a free plane ticket.” But you’d write out the words for 2,400 in dialogue if you wrote something like this:

Squiggly said, “Aardvark can be kind of obsessive. He once counted all his change by laying out two thousand four hundred pennies in rows on the table.”

Following this style, Helen’s copy editor changed her manuscript so the phone number 9-1-1 was spelled out. “He should call nine one one,” with the words “nine one one.” Helen thought this looked ridiculous, and her editor agreed, but then said there was nothing he could do about it because the publisher follows Chicago style.

When Helen and I talked about it at lunch, I thought the whole situation was ridiculous! 

You Can Make Exceptions

The first lesson I want you to learn is that you never have to slavishly follow a style guide when your common sense tells you what you’re writing should be different. Often there are situations that aren’t specifically covered by a style guide, and you should make your own judgement about what is best, maybe guided by similar rules that are covered by the style guide, but you should never feel like you have to force your work into something awkward just so it “fits the rules.” Trust me, the editors at the style guides would want you to use…

Keep reading on Quick and Dirty Tips

Last week I had lunch with a friend who has a new book coming out. She’s at the stage where her publisher is copy editing her final manuscript, and she told me about a problem she’s been having that I think holds some valuable lessons. We’ll call my friend Helen.

Helen disagrees with her publisher about how some of the numbers should be handled in the manuscript. It’s actually more complicated than that because when she raised the issue with her editor, he actually agreed with her, but then stuck to the style that neither of them liked!

Here’s the story.

Helen has some dialogue in her novel where the characters talk about calling 9-1-1. For my foreign listeners, that is the emergency number in the United States. Her publisher uses The Chicago Manual of Style, as many book publishers do—that’s totally normal—and the general rule in Chicago is that you usually write out numbers in dialogue even when you might use the numerals in narrative text. 

You Often Write Out Numbers in Dialogue

For example, in the Chicago Manual of Style, you write out the words for the numbers one through 100, but use the numeral format for most bigger numbers. (I used the numeral “100” here because our website follows AP style for numbers, which is different.) So you’d use the numerals if you wrote something like “Aardvark only needs 2,400 more miles for a free plane ticket.” But you’d write out the words for 2,400 in dialogue if you wrote something like this:

Squiggly said, “Aardvark can be kind of obsessive. He once counted all his change by laying out two thousand four hundred pennies in rows on the table.”

Following this style, Helen’s copy editor changed her manuscript so the phone number 9-1-1 was spelled out. “He should call nine one one,” with the words “nine one one.” Helen thought this looked ridiculous, and her editor agreed, but then said there was nothing he could do about it because the publisher follows Chicago style.

When Helen and I talked about it at lunch, I thought the whole situation was ridiculous! 

You Can Make Exceptions

The first lesson I want you to learn is that you never have to slavishly follow a style guide when your common sense tells you what you’re writing should be different. Often there are situations that aren’t specifically covered by a style guide, and you should make your own judgement about what is best, maybe guided by similar rules that are covered by the style guide, but you should never feel like you have to force your work into something awkward just so it “fits the rules.” Trust me, the editors at the style guides would want you to use…

Keep reading on Quick and Dirty Tips

Last week I had lunch with a friend who has a new book coming out. She’s at the stage where her publisher is copy editing her final manuscript, and she told me about a problem she’s been having that I think holds some valuable lessons. We’ll call my friend Helen.

Helen disagrees with her publisher about how some of the numbers should be handled in the manuscript. It’s actually more complicated than that because when she raised the issue with her editor, he actually agreed with her, but then stuck to the style that neither of them liked!

Here’s the story.

Helen has some dialogue in her novel where the characters talk about calling 9-1-1. For my foreign listeners, that is the emergency number in the United States. Her publisher uses The Chicago Manual of Style, as many book publishers do—that’s totally normal—and the general rule in Chicago is that you usually write out numbers in dialogue even when you might use the numerals in narrative text. 

You Often Write Out Numbers in Dialogue

For example, in the Chicago Manual of Style, you write out the words for the numbers one through 100, but use the numeral format for most bigger numbers. (I used the numeral “100” here because our website follows AP style for numbers, which is different.) So you’d use the numerals if you wrote something like “Aardvark only needs 2,400 more miles for a free plane ticket.” But you’d write out the words for 2,400 in dialogue if you wrote something like this:

Squiggly said, “Aardvark can be kind of obsessive. He once counted all his change by laying out two thousand four hundred pennies in rows on the table.”

Following this style, Helen’s copy editor changed her manuscript so the phone number 9-1-1 was spelled out. “He should call nine one one,” with the words “nine one one.” Helen thought this looked ridiculous, and her editor agreed, but then said there was nothing he could do about it because the publisher follows Chicago style.

When Helen and I talked about it at lunch, I thought the whole situation was ridiculous! 

You Can Make Exceptions

The first lesson I want you to learn is that you never have to slavishly follow a style guide when your common sense tells you what you’re writing should be different. Often there are situations that aren’t specifically covered by a style guide, and you should make your own judgement about what is best, maybe guided by similar rules that are covered by the style guide, but you should never feel like you have to force your work into something awkward just so it “fits the rules.” Trust me, the editors at the style guides would want you to use…

Keep reading on Quick and Dirty Tips

Last week I had lunch with a friend who has a new book coming out. She’s at the stage where her publisher is copy editing her final manuscript, and she told me about a problem she’s been having that I think holds some valuable lessons. We’ll call my friend Helen.

Helen disagrees with her publisher about how some of the numbers should be handled in the manuscript. It’s actually more complicated than that because when she raised the issue with her editor, he actually agreed with her, but then stuck to the style that neither of them liked!

Here’s the story.

Helen has some dialogue in her novel where the characters talk about calling 9-1-1. For my foreign listeners, that is the emergency number in the United States. Her publisher uses The Chicago Manual of Style, as many book publishers do—that’s totally normal—and the general rule in Chicago is that you usually write out numbers in dialogue even when you might use the numerals in narrative text. 

You Often Write Out Numbers in Dialogue

For example, in the Chicago Manual of Style, you write out the words for the numbers one through 100, but use the numeral format for most bigger numbers. (I used the numeral “100” here because our website follows AP style for numbers, which is different.) So you’d use the numerals if you wrote something like “Aardvark only needs 2,400 more miles for a free plane ticket.” But you’d write out the words for 2,400 in dialogue if you wrote something like this:

Squiggly said, “Aardvark can be kind of obsessive. He once counted all his change by laying out two thousand four hundred pennies in rows on the table.”

Following this style, Helen’s copy editor changed her manuscript so the phone number 9-1-1 was spelled out. “He should call nine one one,” with the words “nine one one.” Helen thought this looked ridiculous, and her editor agreed, but then said there was nothing he could do about it because the publisher follows Chicago style.

When Helen and I talked about it at lunch, I thought the whole situation was ridiculous! 

You Can Make Exceptions

The first lesson I want you to learn is that you never have to slavishly follow a style guide when your common sense tells you what you’re writing should be different. Often there are situations that aren’t specifically covered by a style guide, and you should make your own judgement about what is best, maybe guided by similar rules that are covered by the style guide, but you should never feel like you have to force your work into something awkward just so it “fits the rules.” Trust me, the editors at the style guides would want you to use…

Keep reading on Quick and Dirty Tips

Last week I had lunch with a friend who has a new book coming out. She’s at the stage where her publisher is copy editing her final manuscript, and she told me about a problem she’s been having that I think holds some valuable lessons. We’ll call my friend Helen.

Helen disagrees with her publisher about how some of the numbers should be handled in the manuscript. It’s actually more complicated than that because when she raised the issue with her editor, he actually agreed with her, but then stuck to the style that neither of them liked!

Here’s the story.

Helen has some dialogue in her novel where the characters talk about calling 9-1-1. For my foreign listeners, that is the emergency number in the United States. Her publisher uses The Chicago Manual of Style, as many book publishers do—that’s totally normal—and the general rule in Chicago is that you usually write out numbers in dialogue even when you might use the numerals in narrative text. 

You Often Write Out Numbers in Dialogue

For example, in the Chicago Manual of Style, you write out the words for the numbers one through 100, but use the numeral format for most bigger numbers. (I used the numeral “100” here because our website follows AP style for numbers, which is different.) So you’d use the numerals if you wrote something like “Aardvark only needs 2,400 more miles for a free plane ticket.” But you’d write out the words for 2,400 in dialogue if you wrote something like this:

Squiggly said, “Aardvark can be kind of obsessive. He once counted all his change by laying out two thousand four hundred pennies in rows on the table.”

Following this style, Helen’s copy editor changed her manuscript so the phone number 9-1-1 was spelled out. “He should call nine one one,” with the words “nine one one.” Helen thought this looked ridiculous, and her editor agreed, but then said there was nothing he could do about it because the publisher follows Chicago style.

When Helen and I talked about it at lunch, I thought the whole situation was ridiculous! 

You Can Make Exceptions

The first lesson I want you to learn is that you never have to slavishly follow a style guide when your common sense tells you what you’re writing should be different. Often there are situations that aren’t specifically covered by a style guide, and you should make your own judgement about what is best, maybe guided by similar rules that are covered by the style guide, but you should never feel like you have to force your work into something awkward just so it “fits the rules.” Trust me, the editors at the style guides would want you to use…

Keep reading on Quick and Dirty Tips

I’ve heard from a lot of you who have pet peeves about different wordy phrases, and it’s a lot of fun to hear what gets under people’s skin and why.  Here’s one example from Lara in New York:

One that has always bugged me is “I’m writing to tell you that.” It drives me crazy when people begin letters this way. As in “I’m writing to tell you that I am resigning from my job.” Just tell me! OK, so you’re writing to tell me, but just tell me. Is this correct or is this just another redundancy? 

How to Use ‘Buffer Phrases’ to Avoid Giving Commands

I have to admit that I’ve been struggling with this one ever since I said not to start e-mails with the phrase “I just wanted to let you know.” For example: “I just wanted to let you know that nachos are half price until 6:00,” or “I just wanted to let you know that I’m going to miss my deadline.” I couldn’t figure out why starting sentences that way felt so right but seemed so wrong at the same time.

Then Jeff from Fountain Valley wrote in to comment that many of these seemingly empty phrases act as buffers, carry certain emotional weight, or demonstrate personality—and then it all came together in my head. When I’m writing an e-mail, I often imagine that I’m talking to the person. Whereas it might feel like I’m insisting that we must go out to eat if I just write, “Nachos are half price until 6:00,” it feels more like a suggestion or me just sending helpful information if I lead into the idea a little more gradually: “I just wanted to let you know that nachos are half price until 6:00.” It’s more like I’m saying, “Do you want to maybe go get nachos tonight?” or “I know you love nachos, so I thought you might want to know that they’re on sale tonight.” It’s less insistent.

Similarly, it might sound like I don’t care if I email my editor and say, “I’m going to miss my deadline,” but if I start with what some people might consider an empty phrase and say, “I just wanted to let you know that I’m going to miss my deadline,” then it feels less like a confident statement, and more like a sheepish admission of my failure. 

Check in with yourself every once in a while to make sure you’re not using buffer phrases for…

Keep reading on Quick and Dirty Tips