Welcome to 2024! And welcome to what has become a yearly tradition here at Helping Writers Become Authors. Every January, I write a New Year’s post in which I look back at the year that has passed and reflect on its major themes, lessons, and gifts. When I began this little ritual six years ago, the idea was to focus specifically on what writing lessons I may have learned. However, I quickly realized the lessons that most impacted me as a creator were inevitably part of the much vaster context that is my life.

Indeed, if you’re one of those who have travelled with me on this site over the years, you know my perspective on storytelling techniques has become increasingly life-centered—according to the understanding that story and life are inextricable. Life creates story; stories create life.

As I began mulling on this year’s post, back in December, I realized that although this was a huge year of forward momentum and productivity for me, it wasn’t a year that was as lesson-packed as some of those previously. Particularly in 2020, 2021, and 2022, I reflected on the intense drama, transformation, and often struggle I was moving through in my life. In comparison, 2023 was a good year, and it felt almost… flat.

Creating Character Arcs (Amazon affiliate link)

And that’s when I realized that 2023 was, for me, a year in which I was following a Flat Arc, whereas in the previous years I had been on the adventure of Change Arcs.

For those who have read my book Creating Character Arcs, you’ll remember that a Change Arc is one in which the protagonist struggles to transform perspectives, personal identities, and subsequently actions. The protagonist moves from a comparatively limited perspective or “Lie” into a broader perspective or “Truth.”

A Flat Arc, by contrast, is one in which the protagonist already knows the story’s current Truth. Instead of being challenged to transform perspectives, the character is challenged to live a Truth that was previously earned.

The Glorious Importance of Flat Arcs in Our Lives

I’ve been mulling on this lately, having made a few videos about Flat Arcs over on my YouTube channel. Originally, I was planning to publish a more “writerly” post on Flat Arcs this year (and I may yet), but as I began to plan this week’s New Year’s post, I realized my personal experiences this year perfectly represented so much of what I wanted to say about the importance of Flat Arcs.

Flat Arcs don’t sound very flashy or glamorous. And in many ways, they are not. They’re not about becoming, growing, or transforming. They’re about being. As such, they are the foundation of everything. Flat Arcs represent Order in contrast to the Change Arcs’ necessary Chaos.

The Hero With a Thousand Faces Joseph Campbell (affiliate link)

It’s true that the Positive Change Arc is the darling of character arcs. The quintessential Change Arc is the Hero’s Journey (among others). It is the archetypal wrestling of Light Against Shadow, Progress Against Stagnation, Liberation Against Slavery. The Change Arc is, as Joseph Campbell so poignantly points out in The Hero With a Thousand Faces, the winner-takes-all battle of the heroic principle against the tyrant Holdfast, “keeper of the status quo.”

Gives me shivers just writing it!

And yet, this epic dictate brings with it an implicit connotation that the status quo is somehow bad. After all, it is the tyrant to be overcome. So shouldn’t we be overcoming it all the time?

But this cannot be true. The very existence of Flat Arcs shows us this (particularly in how Flat archetypes necessarily show up in between every Change Arc in the life cycle).

Here’s the thing I realized toward the end of last year: you cannot transcend the status quo until you have mastered the status quo.

Writing Archetypal Character Arcs (affiliate link)

The status quo is a necessary foundation on which to build the next iteration of one’s life. Skipping from new Truth to new Truth to new Truth without taking the time to fully integrate and embody that Truth represents unsustainability of the highest magnitude. Particularly when considering the sequential Change Arcs of the archetypal life cycle, which I’ve talked about in my book Writing Archetypal Character Arcs, we can see how each later Change Arc can only emerge from a full integration of all previous Change Arcs.

And where does that integration happen? In Flat Arc periods.

This doesn’t mean Flat Arcs are periods in which nothing happens. Not at all. Indeed, the external action can sometimes be even more intense in a Flat Arc than in a Change Arc, as the protagonist takes what was learned and now uses it to transform the surrounding world and its reality. It can be a time of intense conflict with others who don’t like that the protagonist has changed and is, at least implicitly, prompting change in others as well.

As a result, and as an inherent part of this necessary integration, a Flat Arc can also be a time of deep soul-wrestling, which is why doubt is one of the key factors in developing a Flat Arc character in a story. Previously, this character learned a new Truth that presumably made just a little bit more sense out of life. But now, this character must be willing to master this new status quo. The challenge is to avoid backsliding and to cultivate the discipline and sheer willpower necessary to live life at a higher octave than was previously supported by the world. Without cultivating the discipline to become worthy of the new Truth previously learned in the Change Arc, the character will never be able to build a foundation for the next upgrade of perspective.

This isn’t easy. Even though Change Arcs may sound like the great adventures of our lives, requiring as they do tremendous courage and fortitude, it is the Flat Arcs that truly test whether we are willing to live our new Truths in the face of life’s often pervasive boredom, grinding resistance, and determined delusion.

5 Tips for Successfully Living Your Flat Arcs

In short, I suppose what I’m trying to say is that: Flat Arcs are glorious! They are our proving grounds. It’s like the Axel in figure skating: all that twirling about doesn’t matter if you can’t stick your landing.

And so to open this New Year, here are five lessons I have learned from one of the most important Flat Arcs of my life to date.

1. Skipping From Change Arc to Change Arc = Bypassing

Beginning with a Disillusionment Arc in 2016 that eventually helped me complete an overdue Maiden Arc starting in 2018, followed by a Hero Arc in 2021, the past seven years have been a momentous epoch in my life. These transitions were soul-deep and at times excruciatingly painful. But they also, without qualification, created the most glorious years of my life. I am so grateful for these journeys. As hard as it all was, I would choose it all over again without modification.

I am proud of myself for the sheer courage and determination that allowed me to face outgrown perceptions, to let old ego identities die, and to rise into the rebirth of newly evolving perspectives. Back then, I tackled the need for growth with an almost rabid intensity. And despite of how hard it often was, I loved it. (I don’t think it a coincidence that I’m best known for my work on character arcs; transformation is where it’s at, baby!).

In some ways, the harder lesson for me was that however sexy transformation may be, it isn’t where life is truly lived. Life is lived just as much, if not more, in the in-between moments, the “down” phases when it seems like not much is happening. It is lived in the periods of integration.

In these past seven years, I have changed so much as to be unrecognizable. I embraced this phoenix existence with as much pride as determination. And that, too, was an identity that had to go. Sometimes I’m a phoenix with wings of fire, rising out of the ashes. Most of the time, though, I’m just a regular bird with regular wings, hopping around looking for worms in the dirt.

This year, I had to realize I couldn’t rush change. I couldn’t summon it. I couldn’t get ahead of the game and decide to change. I couldn’t do anything that would put me in the driver’s seat for the next Change Arc and make it any easier to live through than the last one. In short: I couldn’t cheat. Thinking I could—thinking that if I could just figure out the end game of everything I ever wanted—I could fast-track myself to even more transformation faster and easier? Nope, that’s just bypassing.

A Change Arc without a Flat Arc to follow it is incomplete. The Flat Arc periods are just as important as the flashier phoenix chapters. Maybe Flat Arcs don’t offer as many dopamine hits or changes of scenery, but they are overflowing with blessings. Flat Arcs are when we have the opportunity to slow down a bit and to reap—at least internally—some of the fruits of our own labors.

2. Flat Arcs Are Hard Work

Flat Arcs are the periods in which we put in the hard work to solidify our victories and ensure that what we have previously learned and gained cannot slip away from us. Flat Arcs are a period of vigilance. And sometimes being the night watchman is a whole lot harder than being the badass warrior.

Change Arcs (in my experience so far) are less about putting in the hard work and more about simply hanging on for dear life. In some respects, Change Arcs happen to us. Life hands us an initiatory experience, often a crisis, and we have no choice but to hurtle over the edge of the roller coaster and find out what we’re made of. Flat Arcs, by contrast, are more in our control. We get to choose whether or not we will step forward and live out the principles we were shown during our terrifying Change Arcs.

It’s one thing to value a Truth when life is hairy and we’ll grab onto anything that will help us survive. It’s another thing altogether to value that same Truth when life has slowed down, when the devil isn’t at the door anymore, and when the next threat is so far away on the horizon as to seem almost invisible. Flat Arcs are filled with challenges, but they are of a more mundane, often boring, sometimes frustrating sort. If Change Arcs are the Declaration of Independence, then Flat Arcs are the minutiae of bureaucracy—not very glamorous, but everything falls apart if the work doesn’t get done.

For me, the hardest flex of my Flat Arc this year was simply being present and doing the work that was before me without fobbing it off into the future. I wasn’t always doing the things I wanted to do, but everything I did was a slow build based on the foundation of the previous Change Arcs. This past year was one of the most productive I’ve had in a long time. In no small part this was because, after so long, I finally had the space within myself to devote my time and attention to external pursuits. I poured myself into my business and my writing in ways I wouldn’t have been able to do before.

3. Mastering the Status Quo

I can look back on the period of my life prior to the massive string of Change Arcs that kicked off in 2016, and I can see how the discipline I showed in those earlier years was the foundation that helped me get through those later challenges. Every moment of boring discipline I showed in my business or my personal development or my relationships became an invaluable lifeline once that hurricane of change hit. To the degree I had “mastered my status quo” prior to 2016, I was able to support a much greater level of transformation than I would otherwise have been able to reach.

Recognizing this has helped me cultivate patience and maintain discipline in this current Flat Arc period. For me, this has looked like getting meticulous with my mental, physical, energetic, and spiritual health. I have spent this period of relative calm, when there have been fewer demands and responsibilities, in being vigilant with myself. I have not turned away from what is hard or scary. I have looked my shadow in the face every day, have chased after my pain, pushed against my places of constriction, found the weaknesses that hold me back.

I have relentlessly brought in every resource I have learned, found, or could dream up to do the work now, while I can, before life itself once again starts rolling faster and faster again. Because it will roll again. The next initiation will come. And instead of being flung headfirst into the maelstrom this time, I will be waiting for it with all due respect for its awesome power.

Mastering the status quo of a Flat Arc means being present with the Truths learned in the previous Change Arc. Change Arcs are all about that flash of insight—that Moment of Truth—that leads to an expansion of the self. But that flash isn’t, in itself, the whole of that particular Truth. This helps us see that Flat Arcs are not as static as is sometimes thought. Rather, Flat Arcs are a testing ground for fully learning these new Truths, for refining them. Only once these Truths have fully integrated into our beings can we transcend their limitations and move up another level in the spiral.

4. Why Successful Flat Arcs Are the Only Way to Keep Change Arcs From Going Catastrophically Wrong

Change Arcs are all about energy. They are kinetic, often chaotic, full of life and possibility and expansion.

Flat Arcs are physical. They are grounded, practicable, orderly. They are not about the potentiality of what could be, but about the bounty of what is.

According to that analogy, we can see how Change Arcs, by themselves, are utterly unsustainable—even catastrophically destructive. More than that, without the stability and structure of the Flat Arc periods, the sheer energy that is unleashed in a Change Arc can become counter-productive and cause its subject to self-destruct. Of course, the drama of my language here is referring to big Change Arcs. The sheer primality of archetypal, initiatory Change Arcs packs a huge wallop. Without the foundation of a previously successful Flat Arc period, that kind of charge can literally kill or maim.

I experienced this up close and personal during my own epic sequence of Change Arcs.  I 100% credit the foundational work—particularly the mastery of discipline in general—that I had done in the previous Flat Arc period to getting me through those years. But I also know that one of the reasons that transformational phase was so difficult was because I really wasn’t prepared to get sucked into the hurricane.

If there is one thing I now know, it is that the hurricane of change will come again.

If there is a second thing I know, it is that we can never truly prepare for the unknown. By its very nature, it is unknowable. To believe that because we survived one epoch necessarily means we have the chops to survive the next is the most dangerous sort of arrogance.

But if there is a third thing I know, it is that if I am to reap the glories of the next Change Arc, then I must prove myself utterly faithful to this current Flat Arc period. Right now it is summer, and the harvest is thick upon the ground. When winter comes again, my storehouses will be full.

5. When the Flat Arc Starts to Sing, Then You’re Ready for Change

People can interact with the inevitability of change in one of two limited ways (and often both).

Either, like the grasshopper in the fable, we believe summer will never end, the storms will never come, and the hardships of life will never touch us or our loved ones. Or we get hooked on the thrill of the adventure and go storm chasing in the belief that our sheer familiarity with the hurricane means it can’t hurt us. (If you’ve studied the dual shadow archetypes associated with each archetypal Change Arc, then you’ll recognize these responses as passive and aggressive, respectively.)

Based on what I’ve shared here, you may notice that I tend toward the latter response (although not exclusively). I want change, and I want it yesterday. But if this year has taught me that the basic lesson of the Flat Arc is presence, then I have also slowly come to trust in the perfection of its timing. And this is beautiful. Change is too deep and too dangerous to be thrust upon the unwitting or the unready (although it will be if we do not cooperate by facing and accomplishing the work that is before us).

What I have learned this year—in perhaps the gentlest and most loving lesson of all—is that when we are faithful with our Flat Arcs, then eventually in the fullness of time, they bloom out. Where once our new Truth may have felt like a suit of clothes that was too big for us, causing us to stumble and trip about like a child, eventually we grow into it. Our eyes and our hands and muscles become accustomed to the work we are now doing. Our skills grow, and so does our strength.

We move from Not Knowing That We Don’t Know to Knowing That We Don’t Know to suddenly beginning to suspect that perhaps for a while now we have been Not Knowing That We Know. Once there, we are only a breath away from the final step: Knowing That We Know. And when have reached that, then it is time for the next Change Arc.

As we transition into a new year, I feel myself emerging somewhere in those final steps of this current Flat Arc. I feel how I have changed, how I have integrated. I feel how the impetus for yet more change is gathering its charge beneath my feet. This coming year will, I suspect, be momentous. I sense the rumblings of a Queen Arc. If I am right (or if I am wrong), meet me back here in one year, and I will tell you all about it!

Until then, I hope these thoughts on the beauty and power of the Flat Arc will offer inspiration or perhaps even guidance for the New Year that is before you. Whether you are currently following a Flat Arc or a Change Arc, large or small, my wish for you is that 2024 will be a year of profundity, bounty, and Truth. Happy New Year!

Wordplayers, tell me your opinions! What kind of arc were you on in the past year? Tell me in the comments!

The post Lessons From 2023: 5 Reflections on “Flat Arc” Periods appeared first on Helping Writers Become Authors.

Wherever you are on the author journey, there are some important questions to consider along the way. Joe Solari outlines a strategic step forward for new authors, midlist indies, and those with ambitious financial goals. Plus, what is Author Nation?

In the intro, Top 10 trends for publishing [Written Word Media]; Indie author predictions for 2024 [ALLi]; Book publishing predictions [Kathleen Schmidt]; AI in 2024 [MIT Technology Review]; Chat to the JoBot on ChatGPT; Midjourney and video creation [Decrypt]; Business as usual is not an option [TNPS]; Beneath the Zoo in audio and ebook; The Comfort Crisis by Michael Easter.

This podcast is sponsored by Kobo Writing Life, which helps authors self-publish and reach readers in global markets through the Kobo eco-system. You can also subscribe to the Kobo Writing Life podcast for interviews with successful indie authors. 

Joe Solari helps authors build great businesses through books, courses, and podcasting, as well as strategy and operations consulting. He’s also the managing partner of Author Ventures, which organizes Author Nation, coming to Las Vegas in November 2024.

You can listen above or on your favorite podcast app or read the notes and links below. Here are the highlights and the full transcript is below. 

Show Notes

• Business strategies for authors at different stages
• Allocating time and money as a new author
• Branding for a midlist indie author
• Financial freedom vs. business expansion. What do you really want?
• What to expect from Author Nation 2024
• Why getting out of your comfort zone is the way to success

You can find Joe and Author Nation at AuthorNation.live or AuthorVenturesLLC.com

Transcript of Interview with Joe Solari

Joanna: Joe Solari helps authors build great businesses through books, courses, and podcasting, as well as strategy and operations consulting. He’s also the managing partner of Author Ventures, which organizes Author Nation, coming to Las Vegas in November 2024. So welcome back to the show, Joe.

Joe: Thanks for having me back, Joanna. This is awesome.

Joanna: I’m excited to talk to you. This is going out as the first interview episode of 2024, so we’re going to start with business strategy for authors who want to have a successful year because you’re so good at this. There’s always so much to do as an author, so we’re going to break it down.

First of all, for a new author who is just starting out, maybe they have one or two books, they might just even be writing their first book—

What are your tips for authors just starting out?

Joe: Sure, sure. So I think there’s also those that haven’t even written a book. This may be the year that first book comes out.

I think that for all those people, having a budget is really critical. Understanding the money it’s going to cost and time, what it’s going to be to get you to that first book and to the point of profitability. So that might be thinking all the way through, say, the next three years.

It’s a plan, it’s not carved in stone. Just by doing that, you’re going to have a better idea of your overall costs that you’re gonna need to have, and you’re going to have something to measure yourself off of.

So, I’ve never had a plan go 100% right. It’s really for when you do find that things aren’t going the way you thought they were, you can go back and look at that and figure out how far off the rails are you, what could be causing that, and get yourself adjusted.

Sometimes that adjustment is, oh, there’s this really great opportunity that’s presented itself that is better than my plan, and when I evaluate this opportunity against my plan, I should adjust to this.

If you don’t have that plan, then you could go all over the place. Everything looks better than your non-existent plan.

Joanna: I love that, actually, because a lot of people ask me this question.

I think understanding it in terms of budget of money and time, and time, in particular, at this point in an author journey.

I feel like so many people will have all their questions about how do I get published, or how do I publish a book, and how do I market a book. Then you’re like, so have you finished a book? And often they haven’t.

So, I mean, people only have a certain amount of time to budget for this whole year.

What are the things that they should put into that time bucket?

And also, I guess, that money bucket, when they’re just starting out?

Joe: I think the two are intertwined.

You know, you’ve been around this a while, so you’ve seen it, there tends to be the sense of urgency to get the books published. Like, if I get them out in the market, then they’re gonna sell and I’m gonna know something, which is true, but you could publish too quickly.

You know, if you’re writing certain genres where part of what you have to deliver to the market is a reliability of production, right. So certain genres, it’s not just about putting out a book, it’s about putting out books in a series. If you don’t do that, then you’re going to be disappointed in the results. You’ll be like, I put this first book out, and nothing happened. Well, you’re writing an epic fantasy. I’ve actually had this conversation with authors writing epic fantasy, and they’ll be like, “As a reader, I don’t even pick up a series until I know there’s three books in it.”

Joanna: Yes.

Joe: Yet, their series is going to be different, it’s going to be magical. Everyone’s gonna start buying book one, so they have the money to do book two. And it’s like, no.

Understanding that this is a startup business with an unproven product or a recently brought-to-market product, and you have to build up trust with your audience that you are going to deliver.

Unfortunately, authors have brought this upon themselves in that a lot of unfinished series have left readers cautious.

Either that’s because you’re taking longer to write than you expected, or from a financial perspective.

I’ll be one of the first people to say, “Hey, listen, this series is a dud. Cut your losses and move onto the next thing.” Well, what happens when we do that? Well, you cut your financial losses, but you’ve just left some people that have bought those books with an unfinished product. There’s a cost to that and we have to understand those are the conditions in the market.

So back to the question, being like, make sure you’ve planned through those things that need to happen, and you understand the time and money component.

Maybe what it means is that you take a little longer to publish. Like maybe you don’t drop that first book as soon as you thought because you’re waiting to save up money to do this, or you’re waiting to get more of those books done, so that when they do come out, they’re coming out closer together.

Joanna: Also, in those earlier days, I spent much more on editors, several different types of editors, because I was learning so much. Even if you’re good at one genre, or say, you can write nonfiction, and then you decide to get into fiction or a specific genre.

I spent more of my time and money in those early books on the quality side and the craft side.

Funnily enough, even though, I have no patience, I did publish my first novel after finishing it, although that did take 14 months.

Then after three books, I did rewrite them. So you can do these things in different ways, but I think you’re right about that. Thinking about money, and time, and a budget from day one, I don’t know, do you think that’s normal?

I feel like many new authors, they’re not even thinking that way.

New authors might still have the mindset of, “If I just write one book, I can sell it, get a massive deal, and retire.”

Joe: Yeah, I think that this is kind of a small business thing, right?

I think a lot of entrepreneurs come into this with a lot of passion and a lot of grit, and they’re just gonna do it. Like, I’m gonna make this happen. They never stop to think about like, okay, what can I do? You know, there’s millions of people before me that have done this and have succeeded and failed, right?

What are the things that the people that have succeeded done?

Well, they’ve been a little more thoughtful. They’ve planned better. You brought up a really great point about in that beginning book, that time that you need to kind of get your developmental edits and find your voice and really get an understanding of the craft.

You know, that’s important, and if that takes 14 months in that first book, that you embrace that, right. You think about, like, hey, I’m spending a lot of money on this developmental editor, I want two things to come out of it. I want a really good book to come out of it, and I want to learn so that next time, I don’t have to have that level of coaching, that it becomes part of my skill set. 

When you start to think about how all those parts become business processes, right, for the product that’s coming out.

How can I, as the creator, be more efficient in my book production?

I think when you start thinking things that way, you start to be a little more gentle with yourself and not put yourself under that pressure that comes with that impatience of wanting to see the book in the market.

Now, the flip side is, you can’t do that for 10 years. You have to understand that you need to get a book into the market. You need to, at some point, get those first products out there.

I’ve yet to meet an author who’s like, “Yeah, I got it right the first time.”

Most of us go back and read those books, you know, our future selves go back and read those books and we’re like, “Oh, boy. What was I thinking?”

Joanna: They’re such an important part of the process, and you only learn by doing that.

So I know some people listening will be like, oh, well, then I can’t publish until everything is perfect. And like you said, if you wait 10 years, you’re gonna miss out on learning from each book. So yes, definitely thinking about quality, taking a bit more time. 

Let’s move on to the midlist, I suppose, the midlist indie author who might be making, let’s say, around $1,000 a month, which is fine, but it’s not going to necessarily change anyone’s life.

That author is often frustrated by not being able to make a dent in the market, or sell enough books, or move to the next level.

What should the midlist indie author focus on in 2024?

Joe: Yeah, I think that the great thing is they’ve proven that there is a market out there for their books, right, like the product is tested.

Now, I think what it becomes is—and this is hard for a lot of authors—is focusing in on the audience and building a community.

You know, if you’ve looked at any of the stuff that I focus on with my books, Advantage or Attention, it’s that there’s this really important function of readers connecting their identity with your story world and your characters.

That takes effort, and it’s not just by running ads. It’s about really understanding what your brand represents in the marketplace, what it feels are. Like, what is it that makes someone want to read this book and be in that world? 

The more you think about that, and you start to bleed your imagination and your creativity that’s going into the books into your marketing to represent that, it becomes easier for a potential reader to see that. If more of your marketing feels like your books, then it’s like, oh, well, I like the way this ad reads, it makes me think this would be a good book. If I land on your website and get some really good confirmation of that, then it’s going to make it so it’s easier for me to trust your brand and pick that book up.

Joanna: And, of course —

Brand is really, really hard!

Joe: It is. It’s super hard.

Here’s the crazy thing is, is that there’s a lot of people that buy your book and never read it because the real cost that we have to understand is that precious reading time.

Everyone’s got limited amount of time in their life, and when they decide that they are going to take that reading, what do they choose to do?

Do they choose to go back to a book they’ve already read because they know how it feels? Or do they take the risk on reading your book? And we’re in a world now, this kind of Netflix world, where if you don’t get me right away, well, then I’ll just stop and go do something else.

Joanna: Yes, and I think the branding thing is interesting in that it’s almost like the promise to the reader.

And you do get a couple of chances, like there are authors who I’m a fan of the author, and I will try their book. I mean, like I came to you through, I guess, probably through an interview on the podcast, and then I bought one of your books direct, Advantage, I think, and then I got on your email list, and now I’ve obviously heard you speak in person, we’ve met. And for all these things, I get a sense of who Joe Solari is. So as a nonfiction author, I will trust you enough to buy your next book under that name.

I feel like building that trust, we do that, like you mentioned, through these different ways, and then people will trust that we will deliver on that promise next time. So I guess that’s another thing about brand is it does all have to resonate with the reader.

Joe: Yes, you’ve really put that in a succinct way, using me as an example. It’s just shifting it a bit for fiction.

Like nonfiction, I think you’ve really laid it out cleanly, and I practice those principles.

In essence, what it boils down to —

I don’t want to have to sell you, I want you to buy when you’re ready.

If that’s the minute you see an ad, and you click through, and you’re like, it all makes sense, and you want to buy, God bless, do it. If it takes you nine months, I need to have a place in a way for you to sell yourself.

I think that we’re living in a world today where people are curious, and if you give them a way to do that that’s fun and on brand, a lot of your customers will nurture themselves to that point of trust and like, but most book marketing that I observe today doesn’t do that.

Joanna: Yes, and it focuses on the short term, whereas I know what you teach, and also, I guess what I do too, is the more long-term perspective.

I guess for that midlist author who’s making their $1,000 a month, what they need to do is — 

Focus on building the brand, building out their ecosystem with more products that are related to their brand and their promise to the reader.

I feel like so many of those authors are just like, “Oh, I must just do more ads,” but that’s not necessarily the answer.

Joe: No, because advertisement is about discovery and visibility, right? So what do I want them to discover? What do I want them to have visibility on?

And I talk about this quite a bit, 15% of the market is that one-click voracious buyer. That means the other 85% of the market, if I don’t have a system in place, if my ads just go to a sales page, and my expectation is your only choice is for you to buy my book or leave, then I’m leaving 85% of the market underserved or not served.

So how do I serve that?

Well, what if a portion of your advertising budget was just bringing somebody to your website and going, like, “Hey, let’s get to know each other.”

Right, like an ad that makes them curious about, “Oh, if you like urban fantasy, I’d like to talk to you about urban fantasy.” And you’re like, I do like urban fantasy. So I go there and it’s like, oh, this is an author I haven’t heard of and there’s some really interesting things here that seem to be kind of the books that I like, and they’re giving me some easy ways to access their writing right there on the page.

It’s not opt in or any of that stuff, it’s really like, how are you giving them your story and your reading voice as easy as possible so that they can start to form an opinion on whether you’re right or not.

Now, some people are going to be like, nope, this isn’t my thing. That’s okay. That was the purpose is to sort out the ones that are and those that aren’t. So that’s a different type of marketing, and you don’t hear about that—I think you’re hearing about it more and more now, but certainly a few years ago, nobody was talking about that.

Joanna: Okay, so that’s that midlist author. I guess we’re saying, build the brand and learn to nurture audiences more. So let’s move into the six-figure author who wants to get to multi-six figures and take that next jump.

So this is the ambitious author, they’re already doing well, but they want to move to the next level. What about that?

What should the six-figure author be doing if they want to make an ambitious jump in their business?

Joe: Yeah, so first thing I would do is I would challenge them with this question: what is their best life through writing?

Like, put the numbers aside, what does your best life look like in writing? What are you doing? What’s happening on days? Who are you spending your time with? What’s going on in your life?

The reason I ask that question of them is because more often than not, the money you need to have that best life is a lot less than you think it is.

It doesn’t have to be seven figures, it doesn’t have to be eight figures. I do this because I’ve worked with a lot of authors that have chased those monetary goals, and they tend to be pretty hollow. 

It doesn’t get better, right?

You grow your business to seven figures, and now you have a larger, more demanding audience, you have probably more staff now to do things that you’re now responsible for making that payroll, and there becomes a lot more pressure on you as an author. Is that really your best life?

Because I’ve observed that people that have gotten to that point, a lot of times they tend to tone it down, and they go to a lower number. It’s probably still multiple six figures, but they’re tuning their career into what they want it to be, and they’re not becoming a slave to their business.

Joanna: I knew I liked you!

I mean, I totally agree with this. I actually have on my wall, “I want to write the books I want when I want, and travel where I want when I want.”

And there’s pictures of me with my husband traveling in different places. It’s like, there’s no number on my wall.

Joe: What you just described is true financial freedom, and that’s the difference.

People think that financial freedom comes from having a bunch of money in your bank account. It’s true to some extent, right, but to be at a point where it’s like, you know what, I’ve got this book, it’s going to be a really good book, and I could write it or I don’t have to write it, it doesn’t matter.

That’s versus maybe earlier in your career, because the way you were building your career, it was like, well, I have to put out a book every five weeks because that’s how I’m building my career. You’re not financially free, you’re building a business.

You’re doing the things the business demands of you, the things that the market demands of you. 

When you get to a point of where you do have financial freedom, you can say, you know what, I’ve been crafting my business in a way, where now after a couple years, I write two books a year.

My fans are happy with that, and I produce a better book, and I get to do the things I want my life. That could be just hiking with your dogs or traveling with your husband.

Joanna: Yes, I mean, you’re right.

I mean, this is at the point where I am pretty secure in my career. But a few years ago, I did look at this, and I did some research into stepping up to a seven-figure business from a multi-six-figure business, and it was like, I need staff.

You mentioned staff, and this is a huge thing that I don’t know if people really realize, which is to get to a certain number, you need people to help you and a much bigger team, and like you said, do payroll and all that. I decided, for me, that was not the business I wanted.

I’m a solopreneur. I’m the only employee in my business. I’m a creative first. I don’t want to run a big company, and that is a mindset I decided on.

Whereas, I mean, you are an entrepreneur, in that you start businesses, you work with people, you do collaborations, you have employees, you do much bigger projects. So I feel like they’re quite different mindsets.

Do you think that’s like a personality difference or just a choice?

Joe: I think it’s a choice.

I think, and I can just speak for myself, before getting into the book publishing business, I was in the oil and gas industry—we’ve talked about this—and we had 35 employees and we had HR.

I make a lot of like, “I swear I’m never going to do things” statements that come back and bite me later. And this was another one of them was like, I’m never having any more employees, like anything I do from this point forward, it’s just gonna be me and Suze. Like, that’s it, I’m done with people.

And now I’m getting into a new venture where I’m going to be managing a team because I know having a team makes the difference.

So I think it has to be like — 

When you decide you’re going to do something, you have to understand the ramifications of that decision.

I’ve seen several successful authors transition where they’re like, “Hey, I started out as a solo author. I made a decision I wanted to get into publishing other authors.”

So they scaled that up, and they dealt with serving other authors, as well as having a team that they had to manage. Then they got to another point in their life where they’re like, “Hey, this is good, and it’s successful, and I’m making money, but this isn’t my best life. I would like to write more books and manage less people.” And they transition out of that. As long as you do all of those things well, it doesn’t matter which one.

This is one thing I know for sure —

Your business is going to change because you’re going to change, the needs are going to change.

You know, if you think things are immutable, and this is rigid and how things are going to be, then you won’t adapt.

So I think when you’re up at that level of this kind of success we’re talking, multiple six figures, it’s like, you got a brand, you’ve got customers, as long as you keep delivering product to those people and serving those customers, you’re going to have a good business. How you do that, like if you decide, oh, I want to co-write, and you shift to do that, and that doesn’t necessarily work out and you shift to something else, that’s okay.

Be gentle with yourself around that stuff. There isn’t one way to do this. And understand that over time, you’re going to mature, and what used to be fun and interesting and cool, you decide I don’t want to do anymore. It’s okay. Like, again, that gets back to financial freedom.

Joanna: I think that’s good.

So I think what we’re saying is —

When you’re deciding on your next step, really look at what it’s going take to get to that next level, and whether you really want that.

And then if you do really want that, maybe find some people to model in terms of how different businesses are going.

That’s the other thing, like you said, some people publish others, some people get into co-writing, some people start author services, businesses, training.

There are all kinds of other ways to make money and to scale things, but you have to decide what you really want, basically.

Joe: Yes, and one other thing is, if you are emulating somebody else, if you think somebody has it working a certain way, get time with that person and ask them, “Is it really working? Like, help me understand.”

Because we tend to think the grass is always greener, and you don’t understand that, oh, well, this person is running a publishing business.

And you think, oh, it’s got to be easier because they have all those other people writing. It’s like, well, when those work out there’s that extra revenue, but you’re also choosing to manage authors. Like, is that a skill set you have, project management and running a publishing company? It’s not easy. It’s really hard.

Joanna: And authors are a nightmare! I mean, come on!

Joe: Yeah. Like, they’re creatives, right. So you’re getting into a whole other thing, where you’re risking your money on other people’s creative abilities. That’s almost speculation, right?

Joanna: Yes, definitely. Definitely. So for all of these different authors, I mean, you mentioned change there. So change is a big thing that’s happening.

Also, I think, community and learning new things are really important. Let’s come to Author Nation because one of the big changes for you this year in 2024 is Author Nation.

Tell us what Author Nation is and why you have taken on this challenge.

Joe: Sure. So Author Nation is the largest indie author conference in the world.

What I did is I took over the financial liability of contracts from Caesars Palace from Craig Martelle, Incorporated. So those contracts used to be what 20Books Vegas was using for where they were holding their show. Michael and Craig chose to end the 20Books Vegas show, and those contracts, Craig was still on the hook for the next three years. So I took over those contracts and have designed a new conference with our team.

So part of why I explain it that way is I want there to be clarity that this isn’t 20Books 2.0. Do we have some of our DNA from that show? Yes, we do, but it’s not the same management company, it’s a completely different thing.

Now, why did I do this?

Well, some of the most important relationships in my life today, certainly some of my business relationships today, all stemmed from that show and the networking that happened around it.

It was important for me to make sure that that continued on into the future, that there would be a place for authors that are just getting started to come and connect with their tribe, and have a place where they could get information to get them up the learning curve faster.

Joanna: Yes, and it’s really funny because I came to 20Books Vegas in 2023, as the last 20Books Vegas, and I was like, I’ll never come to this city again! and I was determined.

Then I was watching the final session, which of course, you were on stage, and I was like, “I’m not coming again, I’m not coming again,” and then you unveiled Author Nation and the lovely logo.

And I was just like, oh, my goodness, it’s genius. I mean, talk about branding. And you totally got me because then I was like, ‘hell yeah, I want to be part of Author Nation.’

It spoke to me as an individual. I mean, you are very good at branding. So tell us like, how did you come up with that? Because it was not what we expected.

What is the vision for Author Nation? Because it is a big brand.

Joe: So part of this thing for me, this gets back to your best life, and that comes in two facets.

Me and Suze, my wife, she’s half owner of this thing, right, we made this decision at this point in our life to do this.

I consider myself a creative, and my medium is businesses.

And this, to me, seemed like a really fun, exciting thing to do with cool people, and it really fit something I wanted to do right now. So from a selfish perspective, while this is going to consume a lot of time, it already has consumed a lot of time, I love doing this kind of stuff. I feel like I’m really good at it, so this brings me joy.

The next part of this thing was seeing what the community needs. I think we’re at a point where it was a natural thing to have happen is a show like 20 Books Vegas to stop happening, and there being something new that kind of came to replace it.

It shows that I think the whole industry is in a massive transition. There’s a lot of things that are happening that are disrupting it. 

For me, the core of all of this, like what makes the magic happen when there is all these crazy things pulling us in different directions? How do we have a community?

Like how do we connect with the people that we serve, whether that’s our readers, or with our network of support of other authors? Well, I think that makes it really simple to understand what Author Nation is about, it’s that we’re going to create a physical live presence for that to happen.

Joanna: What can people expect then? Because I guess there’s speculation around whether it will still have author training. So will people be able to go to seminars and have training?

Or is it also going to have sort of a focus on readers? Give us a bit of an idea of what might happen.

Joe: Sure, sure. So first off, whenever I look at this, I like to have key performance indicators or KPIs. So we have three KPIs that we’re going to be focusing on at the show.

Number one is, if we take the authors that come to Author Nation, the demographics are about 12% have never published. So if we take those people, and we survey them nine months after attending, what percentage is published, right? So how can we help the people at that step that we all have to go through, which is get a book into the marketplace, how do we help them do that? And how do we measure it to show that we’re actually doing our job? So that’s one thing.

The next thing is, and this kind of gets back to your initial kind of business questions too, like this is how I think, it’s like, how many people come to the show that aren’t making money? Like they published, but they haven’t become profitable yet. How many, after nine months, can we get to break even?

Then I’ll get to the third KPI later, but on those two, then we say, okay, well, how do we structure that show in a way that does these things? So we’re still going to follow a similar structure in the sense of, Monday will be an industry expo day where we’re going to be exposing authors to all the people that service the industry.

We’re going to have a table set up, and we’re gonna be doing a little bit differently, but the idea is the same. This is where people are going to get more exposure to those folks that are there to serve us.

Tuesday through Thursday will be the author education piece, where you’re going to be around your tribe of authors, you can let your hair down, there’s not going to be readers there.

We’re going to be focusing on tracks and across domains to help people do the two things that I have a KPI on. 

Then the third one is this, how to figure out what your best life is and live it. Rather than in the past, you know, a lot of shows, and particularly 20Books, really celebrated monetary success, we’re going to be very focused on what’s your best life. And that can be done in several ways and doesn’t necessarily have to be about a financial number. So those are gonna be how those tracks are laid out.

Joanna: So for the people who do want to take it up a level—so for me, for example, it’s very rare for me to go to conferences and feel like I’ve really learned a lot in terms of author specific conferences.

And yet, when I came to 20Books Vegas, I was like, oh, it’s worth it for me just to learn from these other people about these other things.

Will there be enough for people like me who are kind of more advanced in the author business?

Joe: Yeah, I think that that’s one of the things that has been a struggle, and it’s a struggle for most shows, because it’s just the curve of the market.

There’s always going to be a larger amount of people that are not making as much money or just getting started, as there is this group of people that are successful and are looking for what to do next. So how do we do that?

One thing that we’ve done is we’ve created a programming committee. The chairperson is Chelle Honiker, who is the publisher of Indie Author Magazine and an author.

And we’ve purposely built out a team with people that are not focused just on KU and Amazon.

So you’re friends with J Thorn, J’s first time ever being at 20Books was this year. J and I have known each other for years, and J is coming on. You know J enough to know that he kind of is goes to the beat of his own drum. He hasn’t been somebody focused on any of the hyped up things. We brought in people from the Wide for the Win group.

So the idea is, is that —

We have to create an environment where we’re the facilitator for conversations, sometimes really difficult conversations.

We are going to provide, within that track system, very clear delineation. Now, it’s your money. If you come here, and you decide to go, for lack of better terms, off track and do other stuff, go ahead.

But there’s going to be a clarity for somebody like you, like what are the things you’re looking to make decisions about going forward?

Are you trying to explore a Kickstarter strategy? Well, then go to these four sessions. Are you trying to think through how you get into merchandising? Well, go to this session. So the idea being, is we know that we have to be providing content across all of those levels of success.

Joanna: I think that’s great. I mean, this year—I say this year, we’re recording it at the end of the year—but the 2023 20Books I enjoyed, as you mentioned, Kickstarter. Also, I went to sessions on print book sales. I went to, as well as spoke at, sessions on AI and those types of things. So I feel like there was definitely enough.

Like you said, I mean, I’ve been doing this for 15 years now, but what I’m learning, I’m learning from people who’ve been doing things differently. I think that’s what I valued a lot about it.

I did want to ask you, specifically on the AI side, will there be sessions? I mean, it’s very hard to say because it’s a while away and things change every week, but—

Will AI be incorporated into the various tracks?

Because I know some people are AI positive, most of my listeners are, but some people are not.

Joe: Sure. So before I get into that topic specifically, let me touch on one of the other things that we’ve changed. That is that we have a professional conduct committee that’s headed up by Nora Phoenix, and we have a diverse team there that’s really helping us to guide the community in professional conduct.

And why I bring this up now is that it’s also for our speakers as well. Authors need to understand that this isn’t summer camp, you’re coming to a professional conference where you’re representing your brand, and you’re hanging out with other people that are representing their brand.

When speakers come, they need to understand that they’re there to help the community think through ideas.

So they should be prepared to as easily argue the opposing viewpoint as to the one that they hold. They should be able to think about how they are helping the community become better informed and make wiser choices, not necessarily focus on owning somebody else on the panel.

So I say that because we are going to continue to address controversial issues, and we want to be the place where people can come and get the straight dope, pros and cons, on everything because that’s the reality of it.

You should be thinking, if you are looking at going on Kickstarter, what’s the pros and cons? If you’re looking at subscriptions as a methodology, what’s the pros and cons? If you’re thinking of integrating AI into your business, what’s the pros and cons?

I think that when you start doing that, then from our perspective—Author Nation doesn’t endorse or oppose any particular thing—we’re just going to be a place for civil discourse. That’s a long way of saying, yeah, we’re gonna take on a lot of issues.

Joanna: I mean, we have to, because in November 2024, goodness knows where we’re going to be in terms of a lot of these things and how the industry has changed.

Like you said, we’re in a transition, we’re in a disruption, and I’m finding I’m changing so much about my business. So I’m really looking forward to it.

Now, also, as we haven’t got too much time left, I want to address the fact that it is in Las Vegas. I mean, I hesitated to come because it’s difficult city for mostly introverted, quiet book people. So I wondered—

What are your tips on surviving Vegas, as a city?

I think you thought this way at some point as well.

Joe: Yeah, so I’m kind of the opposite in the sense that I used to spend a lot of time in Las Vegas, and it wore me out. I was like, again, “I’m never coming back here again,” and now I’m gonna run a conference there.

So first off, for the next three years, it is going to contractually remain in Las Vegas, so the show will be there. How we go forward beyond that, we haven’t really thought about yet. I do believe that Vegas is, for a lot of people, a great destination city. It’s easy to get into, air travel is low cost, and it has a lot of connecting flights. So it’s one of the cities in the United States that can be easy for everybody to get to.

Now, to your point about introverted folks, I think that, first off, this conference anywhere could be overwhelming for folks, because we had 1860 people there. It is a lot of people. It’s scaled up. So I think there’s some things that if you’re introverted, you just need to be prepared for a little bit of FOMO, missing out on some things for the sake of recharging when you need to recharge.

I know a lot of people that are introverted, where while they’re engaged in the community, you wouldn’t think that they are introverted, but they just need that time to chill and recharge the batteries.

So one thing we are going to do is we’re going to continue to record the sessions, so if you do decide to go back to your room and just chill, you’ll be able to get those and watch them later.

We’re going to have writing space, I think a really good place for most authors to go recharge at the conference will be to kind of get out of the fray and get into a quiet space where they can put some words down, even if those words are just going through their notes and kind of consolidating their thinking around what they’ve just been exposed to at the conference.

I think the other thing that we really have to think about is that —

Success comes from an uncomfortable place. This isn’t going to be easy for a lot of people, and it shouldn’t be, because great things come out of that uncomfortability.

So like you challenging yourself to go to a conference like this, and it not being something that is your status quo, helps you to become the person you want to be, and build that network.

The beautiful thing about it is, is when you go there and you start connecting with people, like, we’re all self-centered, right, we’re all coming from our own point of view, pretty much everybody in that room’s self-conscious and thinking that everyone’s looking at them.

We’re all thinking about ourselves, we’re not thinking about the other. So just embracing that, that you’re in a safe place, and that you’re going to be with your tribe, and they’re gonna help.

Also, stay more focused on the conference. I mean, Vegas, if that’s not your vibe, then you can steer clear of it. Like you can come get an Uber, go to the hotel, stay in that hotel and never leave, just go to those conference sessions, and hang out with your people.

Now, if you do want to get outside of the place, like it’s a pretty raucous environment, like that’s how it is. So I hope that answered your question.

Joanna: Yeah, yeah. I think it’s just good to say, like you said, success is often outside our comfort zone. I certainly had a pretty intense week, like everybody else, and yet, it was super worth it for me to come to 20 Books Vegas.

I will absolutely be at Author Nation, unless, obviously, something happens that prevents me. But yes, I’m absolutely intending to come. I feel like, especially from the UK and Europe and other countries, people do travel from all around the world. I mean, obviously it’s in the US, so it is a bit cheaper for people in the US, but it was worth it for me. So, yeah. Why don’t you—

Tell people where they can find out more, where they can sign up, where they can get tickets, and also if they want to speak, is there a process for that?

Joe: Sure. So there’s a couple links. First off, tickets go on sale on January 6 at 9am Central. Go to AuthorNation.live. So that’s AuthorNation.live, and if tickets are open, you can sign up for tickets because there’ll be the sales page there. If not, there’ll be a forum for you to sign up and get more information, which will send you an email about when tickets release.

For those that are looking to participate in the show either as a speaker, or want to volunteer, any of that other stuff, there’s a different site called AuthorVenturesLLC.com.

Go there, and there’s a whole series of links you can go to to fill out a form, either to suggest yourself as a speaker, suggest somebody else as a speaker, to sign up as a volunteer. We have a pretty robust community of people that are helping us to run this thing. It takes a lot to make the show go off. So there’s all kinds of opportunities for you to help out with the show as well.

Joanna: Brilliant. Well, I just checked, and the tickets will be available when this goes out, so people can go over there and have a look. Well, thanks so much for your time, Joe. That was great. I will see you in Vegas.

Joe: See you there.

The post The Next Strategic Step On Your Author Journey And Author Nation With Joe Solari first appeared on The Creative Penn.

Another year ends, and once more, it’s time to reflect on our creative goals.

I hope you will take the time to review your goals and you’re welcome to leave a comment below about how the year went. Did you achieve everything you wanted to? Let me know in the comments.

In the intro, 2023 was the year that Twitter died — and became X. What that means for me, plus The Verge does an overview. Thoughts on lighthouses and what yours might be, from The Comfort Book by Matt Haig quoting Anne Lamott; “We’re in an artist’s age now,” reflections on the changing author business model from Johnny B. Truant; The Future by Naomi Alderman.

This episode is supported by my Patreon community, who fund my future-focused thinking time. If you join the community, you get an extra solo Q&A show monthly, as well as behind-the-scenes videos on planning for the year ahead, AI and creative business, plus discounts, early access, and more. Join the community for the price of a coffee a month at Patreon.com/thecreativepenn

Joanna Penn writes non-fiction for authors and is an award-nominated, New York Times and USA Today bestselling thriller author as J.F. Penn. She’s also an award-winning podcaster, creative entrepreneur, and international professional speaker.

You can listen above or on your favorite podcast app or read the notes and links below. Here are the highlights and the full transcript is below. 

Show Notes

You can read my 2023 goals here and I reflect on what I achieved below.

• J.F. Penn — Pilgrimage, Catacomb, and short stories
• Up-skilling into direct sales with Kickstarter and Shopify, and building a fiction-first store
• Joanna Penn — Writing the Shadow
• The Creative Penn Podcast and Patreon move to monthly Community
• Experiment with futurist technologies and share what I learn along the way 
• Financial goals
• Travel, speaking, health, and other things

Let me know in the comments below how your 2023 creative goals went.

J.F. Penn — Pilgrimage, Catacomb, and short stories 

Although I wrote and edited Pilgrimage in 2022, the publishing, launch, and marketing all happened in the first quarter of 2023.

The Kickstarter for Pilgrimage: Lessons Learned from Solo Walking Three Ancient Ways absolutely exceeded my expectations. It had 692 backers and funded at £25,771.

After the initial Kickstarter, I published the book on my Shopify store for a couple of months and then released it wide. You can find it here on my store, here on all the other retailers, or you can order it through your local bookstore or library.  

I wrote and published a stand-alone novella, Catacomb, and two short stories, With a Demon’s Eye, and Beneath the Zoo. 

I narrated the audiobooks for Pilgrimage, With a Demon’s Eye, A Midwinter Sacrifice, and I need to do Beneath the Zoo and Catacomb in early 2024. I’m committing to narrating as much of my fiction as possible (as human me!) as well as my non-fiction in order to ‘double down on being human.‘

I didn’t write action-adventure thriller ARKANE 13 as intended, but it’s first on my list for 2024. My creative process involves travel to specific locations to find stories, and I didn’t make it to Vienna this year, but I have a trip planned for the end of January 2024.

Up-skilling into direct sales — Kickstarter and Shopify

I’ve significantly upskilled this year in direct sales.

I’ve done two successfully funded Kickstarter projects, learned a lot of lessons, and improved my book marketing for launches.

I built a new fiction-first Shopify store, www.jfpennbooks.com and I did a Shopify accelerator with Pierre Jeanty.

I’ve added lots of bundles and box sets for both fiction and non-fiction for digital and print products, which makes a huge difference in terms of being able to offer options to readers, and also make advertising worth it.

Click here for fiction bundles and box sets by J.F. Penn

Click here for bundles and boxsets for authors by Joanna Penn

I’ve worked with Matt Holmes on AI-powered Meta advertising direct to my fiction store, and I only use Amazon auto-ads now on a few of my non-fiction books. 

Joanna Penn — Writing the Shadow 

After more than a decade of working on this book on and off, I finally wrote and published Writing the Shadow: Turn Your Inner Darkness Into Words. 

The Kickstarter had 1,059 backers and made £36,454 on launch.

I am really proud of the limited edition, gold foil hardback with black ribbon, and I’m encouraged that people want these premium products.

I also did a normal paperback, large print, ebook, workbook, and narrated the audiobook. All the usual formats are now out on all the usual stores (but the limited edition was only for the Kickstarter).  

It was my biggest book signing ever, with over 430 books signed at the Bookvault factory in Peterborough, UK. 

As part of the Pilgrimage Kickstarter, I wrote and recorded a course on Writing Settings and Sense of Place.

The Creative Penn Podcast

I’ve been consistently podcasting for another year with 63 episodes in total. You can find the backlist episodes here.  

I’ve done quite a few solo episodes, which take the longest to prepare:

#728 – The 15-Year Author Business Pivot  

#727 – How Generative AI Search Will Impact Book Discoverability in the Next Decade with Joanna Penn

#718 – Let Your Dark Horse Run. Writing The Shadow With Joanna Penn (audiobook excerpt)

#714 – Lessons Learned from 12 Years as an Author Entrepreneur

#690 – The AI-Assisted Artisan Author with Joanna Penn

#682 – Lessons Learned and Tips from Pilgrimage, My First Kickstarter Campaign

#671 – Writing Travel Memoir, Fear of Judgment, Fear of Failure, and Journaling with J.F. Penn

Thanks to my patrons at www.patreon.com/thecreativepenn for supporting the show. Your financial support demonstrates that the show is still useful and makes it worthwhile to continue. I really appreciate it!

In the last few months, I’ve moved the Patreon to a monthly subscription — the price of a coffee a month, or a couple of coffees if you’re feeling generous!

I’ve added video tutorials on various aspects of AI and author business, with much more to come, as well as the usual monthly audio Q&A. 

The Patreon is now organized into Collections so it’s easier to navigate the content, which I will continue to add to over the coming year.

Thanks also to corporate sponsors this year: Kobo Writing Life, Draft2Digital, ProWritingAid, Ingram Spark, FindawayVoices, Kindlepreneur, and WrittenWordMedia.

Experiment with futurist technologies and share what I learn along the way 

2023 was the year that generative AI went mainstream, and what was futurist is now very much part of the mainstream conversation for authors and the publishing industry.

Some of the important developments for authors included the following, all of which I have talked about in the intro to the weekly shows: 

• Launch of GPT-4 and custom GPTs that allow fine-tuning and custom instructions based on an author’s backlist and style, as well as DALL-E 3 within ChatGPT so you can iterate on an image idea with ‘normal’ text rather than prompt engineering, plus multi-modal ChatGPT.
• Amazon’s investment in Anthropic and offering the Claude model through their AI-as-a-Service Bedrock, plus the beginning of the development of their Olympus model
• Amazon added AI usage fields into KDP 
• Amazon introduced a beta, invite-only AI audiobook narration program
• FindawayVoices by Spotify introducing AI narration for audiobooks with a partnership with Google Play Books auto-narration
• Further development and roll-out of generative AI image tools like DALLE now incorporated into Microsoft products, ChatGPT Plus, Firefly into Adobe Creative Cloud, AI images sold on stock photo sites, and more. 

In 2022, authors and the publishing industry could avoid AI, but it is practically impossible now.

Microsoft Co-Pilot is bringing generative AI to MS Word as well as other applications, and Google has brought Duet to Workspace and Docs. ProWritingAid and Grammarly use enhanced AI as part of their functions, and cover designers who use Adobe Photoshop and Creative Cloud have AI generative fill as standard, as well as other generative AI tools.

So much has happened in 2023, and I’ve been sharing what I learn in the intro to the podcast as well as in specific episodes including: 

#690 – The AI-Assisted Artisan Author with Joanna Penn

#727 – How Generative AI Search Will Impact Book Discoverability in the Next Decade with Joanna Penn

#701 – 9 Ways That AI Will Disrupt Authors and the Publishing Industry in the Next Decade [2023 Update] with Joanna Penn and Nick Thacker

You can find all the episodes and more resources at www.TheCreativePenn.com/future/

I’m also sharing video tutorials and other resources for my community at patreon.com/thecreativepenn including: 

• Using Claude 100K for analyzing a book and generating sales descriptions
• My end-to-end process for using various AI tools to write, edit and publish a short story, including the generation of the book cover 
• Midjourney and DALLE for images — and much more.

While I have certainly had my moments of anxiety about what this all means, I come back to two things.

(1) Even if AI tools write and create ‘better’ books than me at some point, it doesn’t matter because I will still write and create. I measure my life by what I create, and even if no one wants the finished result, I will still do it.

(2) I can focus on doubling down on being human, and showing you my flaws and my humanity, and (hopefully) enough of you will buy what I make, and join my Patreon community, so I can keep doing this and not have to go back to a day job!

I go into more detail in The AI-Assisted Artisan Author, as well as my 15-Year Author Business Pivot episodes.

Financial goals

At this point in my mature creative business, my primary goal is to make enough money every year to sustain my lifestyle and investment goals, as well as be able to continue to write the books I want, when I want, and travel to places I want to visit. 

I don’t want employees and I don’t want the overhead of scaling up the business, so I am very happy with the way things are.

Overall, the company made more money than last year, in terms of both revenue and profit, which is always a good direction for things to go in.

I had a goal to double my book sales revenue in 2023. I didn’t quite manage that but I did increase it by 50% and take it back into the six-figure GBP range through Shopify sales and my two Kickstarter campaigns. 

These methods also require less advertising and promotional spend than retailer stores, so the profit margin is higher. 

I had a goal to increase foreign rights licensing and subsidiary licensing, which didn’t happen, but I will carry that goal over and see what 2024 brings as I write different kinds of books. 

Travel, speaking, health, and other things

It was a big year for travel and speaking and connecting in person. You can always find my photos at Instagram @jfpennauthor or Facebook @jfpennauthor

I spoke at Superstars of Writing in Colorado Springs and spent a few days in Washington DC on the way for book research. 

I spoke at 20 Books Spain in Seville and really enjoyed the spring heat and the relaxed vibe, plus it was the first author conference that focused on AI, so it was a pivotal experience for many people.

I also spoke at London Book Fair the week after, again on technology and AI.

We went to New Zealand for Jonathan’s 50th birthday and met up with friends and family. 

Jonathan and I went on a walking holiday in the Norwegian Fjords. It rained pretty much all the time, but we had a good break. Such a beautiful place!  

I spoke at an author conference in Paris, France, and then went to 20BooksVegas where I spoke on various panels and had a Patreon meet-up.

It was also a significant conference for me in terms of the people I met and talked with, and the focus on AI and direct sales. 

Cashew and Noisette have helped with social media book marketing this year, and Cashew in particular has kept me at the writing desk with purring companionship. I love being at home with my cats!

You can find more pics on Instagram @jfpennauthor

Health-wise, I’ve been consistently lifting weights this year. I am now post-menopause and lifting is much better than long-distance walking. I am training for my old lady body — plus I love lifting and am getting stronger every month! 

My twice-weekly sessions with my personal trainer, Dan, are now focused on the three disciplines for powerlifting — deadlift (my PB is 90 kgs), squat, and bench press. I also walk to and from the gym (11km) twice a week, and do 8-10kms per day as part of normal life. So I still walk, I’m just not doing the longer distances.

If you’re interested in the benefits of lifting, I recommend Next Level: Your Guide to Kicking Ass, Feeling Great, and Crushing Goals Through Menopause and Beyond by Stacy T. Sims.

Thank you so much for being part of my community this last year — for buying my books in all formats, for being a patron of the show, for clicking my affiliate links, for leaving positive reviews on the books and the podcast, and for recommending them to others.

I wouldn’t have this career without you, so thank you so much and I hope you’ll join me for the year ahead.

How did your creative goals go in 2023? Please leave a comment and let me know.

I’ll be back with my 2024 goals on 1 January 2024.

The post Review Of My 2023 Creative And Business Goals With Joanna Penn first appeared on The Creative Penn.

Happy New Year, everyone! Welcome to 2024!

For me, 2023 was an incredibly productive year. What makes me most pleased and proud is that I feel I was able to return to a high level of productivity in a way that honored everything I’ve learned from the severe burnout I experienced in previous years. Above all, this has been a year of working through healing and growth in my relationship to the business side of being a writer (something I’ll talk about in a future post).

• It seems so long ago now, but the biggest news of the year was that I published what is absolutely my favorite book I’ve ever written, Writing Archetypal Character Arcs. This book is a marriage of deep story theory with the psychology and philosophy of life itself.  It explores thirty-six archetypes, all centered around the six transformational character arcs of the human life cycle. I’ve been so happy with its reception, and if you haven’t read it yet, I hope you’ll check it out!

 

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• My surprise project of the year was something totally out of left field—the Archetypal Character Guided Meditations. Based on the six primary archetypes in my book Writing Archetypal Character Arcs, these hour-long meditations are designed as “dreamzoning” journeys that allow you to explore your own stories through the powerful archetypal symbolism and structural beats of each arc. I had so much fun creating these six unique mediations and found them so moving and impactful in my own life.

 

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• I don’t do many interviews these days, but when I got the chance to work with the awesome team on the Studio Binder channel, I jumped at the chance to contribute to a video about the fundamentals of story structure, featuring one of my all-time favorite (and, IMO, perfectly plotted) movies, Jurassic Park.

• I was incredibly honored for Helping Writers Become Authors to receive its 10th consecutive mention on Writer’s Digest‘s list of 101 Best Websites for Writers. So amazing. What a ride this has been. I find myself feeling more humbled every year and more determinedly committed to serving the writing community to the best of my gifts and abilities. Thank you, all!

• I got to see Writing Your Story’s Theme published in France and Creating Character Arcs translated into Portuguese.

• Two of my novels, Behold the Dawn and Dreamlander both got brand new covers!

• One of my goals this year was to get back into the swing of creating content on YouTube. I’ve been posting weekly vids in response to viewers’ questions, and you all have prompted some great conversations. Check it out, and if you have a question you’d like answered, be sure to leave it in the comments on any one of the vids!

• I’ve backed off on my social presence a lot in recent years, but last year I started playing around with Instagram in earnest and started quite enjoying it! Although I still post regular content on Facebook and Twitter/X, I post things on Instagram (including some glimpses into my own life) that I don’t post anywhere else. I hope you’ll swing by and say “hi!”

 

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• For those of you who know that I struggled mightily with writer’s block in past years, you’ll understand my happiness in being able to report that I have now completed a full year of writing fiction once again. I’m taking it super-slow and putting zero pressure or deadlines on myself as I outline what is quickly becoming a passion project—a dark fantasy called Wildblood that is turning out to be an incredibly deep and rich journey for me on a personal level. It may be a while before it’s finished, but I can’t wait to share this story of my heart with you all at some point. In the meantime, I’m just enjoying myself.

 

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• On the personal front, I was able to do a good bit of travelling this year, including two visits to family in another state and a month-long sojourn in the New England Berkshires, during which I got to visit Sleepy Hollow and Salem, among so many other deeply memorable adventures. I embarked on that trip knowing it would be a portal and wanting it to shake up some of the stuck energies and patterns in my life—and it surely did! I’m still processing it all, but I know it will be rippling into my life for a long time to come.

 

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As for this coming year, I have several plans in the works. In addition to continuing with my fiction WIP, I am considering expanding my YouTube channel into longer videos. Many of you have requested that I include a transcript of the videos (which I can’t do on YouTube due to word limits in the descriptions), so I am thinking about incorporating videos into the site, perhaps alternating them with the regular posts every other week. Let me know what you think about that!

The top project I want to complete this year is a short course that delves deeper into exploring the relationship of the shadow archetypes to the six main archetypes (Maiden, Hero, Queen, King, Crone, Mage) that I’ve talked about in Writing Archetypal Character Arcs.

I also have ideas for a new book on advanced story structure, and I’m even toying with  creating a huge set of masterclasses that will cover all my most important information. That, obviously, would be a gigantic project that would span more than just this year! In view of how many requests I get from people looking for editors who follow my system, I’m also toying with the idea of offering a certification. I’d love to hear your thoughts on that as well.

I wish you an amazing New Year, full of joy, challenges, growth, satisfaction, and the best stories ever!

And now, just in case you missed them (or want to revisit them):

My Top 10 Posts of 2023

1. How to Create Insanely Complex Characters Using “Shadow Theory” (which was far and away one of my most popular posts ever with over 100k views in nine months! o.o)

2. Genre Tips: How to Write Fantasy (which was also my most popular podcast episode of the year)

3. 5 Tips for How to Return to Writing After a Long Break

4. The Daily Routine of a Full-Time Writer

5. How to Rediscover the Joy of Writing

6. Genre Tips: How to Write Literary Fiction

7. Your Story Isn’t Working? Here Are 6 Problems to Troubleshoot

8. 5 Ways to Use Your Character’s Shadows to Power Your Story

9. 8 Different Types of Scenes

10. 6 Lessons Learned From 4 Years of Writer’s Block

Wordplayers, tell me your opinions! What was the most memorable writing event for you in 2023? Tell me in the comments!

Click the “Play” button to Listen to Audio Version (or subscribe to the Helping Writers Become Authors podcast in Apple Podcast or Amazon Music).

___

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The post Top 10 Writing Posts of 2023 appeared first on Helping Writers Become Authors.